New faces, new blood. Its a whole new Emmy world. Gone are the days when the categories are the same year after year, with maybe one different nod. So much newness this morning as my good friends Pacey and Sookie (Joshua Jackson and Melissa McCarthy) announced with delightful chuckles the 2011 Prime Time Emmy nominations at 6:35am this morning and I was up and ready! I squealed with delight more times watching this morning. than any other time in my loooong obsession with Movies, TV and Award shows!
My loudest squeal? Cat Deeley! Cat Deeley - by far, my favorite reality TV host - finally gets a nomination - her first. Jesse Tyler Ferguson (himself a nominee this morning) as guest judge on last nights broadcast - acknowledged that he really hoped Cat got nominated this morning and she turned the greatest shade of red. I was hoping too! I was hoping too! Now, I'm really hoping she wins it.
Runner-up squeals:
Josh Charles - you'll always be Dan Rydell to me - but how I love you as Will Gardner on the Good Wife - the tension works with Julianna Margulies because of you and not everyone can go toe to toe with her. First Time nominee - yay!
Friday Night Lights, Friday Night Light, Friday Night Lights! First time nomination in the Best Drama category - this show is going out with a bang! Its Final season was fantastic and I have loved this series from the very beginning. And - I know they were nominated last year - but so happy to see Connie Britton and Kyle Chandler back on the list. Connie Britton's Tami Taylor remains one of my all-time favorite wife/mothers on television. And Kyle Chandler - well - he is one of my all-time favorite EVERYTHINGs. Coach Taylor, Sheriff Lamb, Gary Hobson and never has blowing up looked so good - as when Kyle Chandler did it as Dylan Young on Greys.
Melissa McCarthy - Sookie is nominated for an emmy - fresh off her hilarious turn in Bridesmaids - Melissa McCarthy is nominated for Mike & Molly - and really she does an amazing job with mediocre material. I've always thought her to be funny - really funny. And since she was announcing this morning - she gave her best guffaw at her own surprise nomination - and became quite disheveled... in that moment, I squealed and thought she's either really surprised or a really good actress.
Ed O'Neill - when pretty much every major actor on Modern Family was nominated last year, Ed was left off the list. And while it may not be shocking to some that he was never nominated for Married...With Children, the Academy has corrected this gross over-look from last year. Ed's portrayal as the Patriarch of this Modern Family is hilarious. Yay for his first ever nomination!
So You Think You Can Dance finally gets nominated in the Best Reality show competition category. Finally! My favorite one gets some acknowledgement. Also - I have to admit - I squealed at Travis Wall getting nominated for best choreography! He was a contestant on this show not too many years ago - but he really is a fantastic choreographer on the show now. Good luck as he goes head to head with Mia Michaels, Tabitha & Napolean, Stacey Tookey, Mandy Moore and Mark Ballas. My hope is for Nappy Tabs or Travis - though Mia's brilliance will probably win it. All these choreographers and Cat Deeley - it was a good morning for SYTYCD!
Dot-Marie Jones! amazing as Coach Biest on Glee. She is the reason, I'm so glad that Glee was nominated for Best Casting. Her first and well-deserved nomination. There could be no one else who could play Coach Biest!
Johnny Galecki - First Time nominee, Johnny Galecki - love him as the "straight" man, Leonard to Sheldons hilarious OCD craziness on The Big Bang Theory. I love the steady growth in popularity on this show. I love these nerds. Never before has geekiness been so cool. Jim Parsons and the show are also nominated. I'm totally pulling for a repeat win for Parsons - and I never want repeats...that is how much I love his Sheldon.
Kathy Bates, Oscar winner - shes no stranger to award shows - in fact - if you go to her imdb page you have to scroll down quite a long way to even get to the Emmys section of her awards page- she's been nominated for a few emmys for mini-series and guest roles, but never won. I love her as Harry's Law - somehow I love it even more -knowing Harry was written for a man and she made it work and all her own. She has me wondering how many other Oscar winners have been nominated for Emmys this year. Kate Winslet, Paul Giamatti, Gwyneth Paltrow, Cloris Leachman, Maggie Smith, William Hurt, Matt Damon, and Melissa Leo off the top of my head are all Oscar winners and are nominated for 2011 Emmy...lots of Oscar nominees are among the Emmy nominees - And lots of Oscar nominated actors now up for Emmy: Laura Linney, Taraji P Henson, James Woods, Joan Cusak, Elizabeth McGovern, Mare Winningham, Tom Wilkinson, Mary McDonnell, Alfre Woodard, Diane Lane, Greg Kinnear and Christopher Plummer to name a few and suddenly I'm realizing that Oscar and Emmy winner Sally Field is not nominated this year. And hey, there are a few Tony winners in these nominees 2 on The Good Wife: Christine Baranski and Alan Cumming, Kristin Chenoweth and Nathan Lane obvious Tony winners as well and there are probably a few more. Now, I wonder are there any Grammy winners? At least one - my boy (yes, I do call him, my boy), JT, Justin Timberlake and more I'm assuming. Hmm...I may do some research on all this award show in-breeding.
Okay, so what if there are only 2 Best Dramas from Network TV nominated for Best Drama - so what if there are 4 from Cable! Cable TV is taking over! But, I have to say, I'm not really a cable show viewer - so it make my picks that much easier.
So much new blood in this race - welcome to many other first time Emmy nominees: Paul McCrane (seriously - I love this guy - even if he did scare me on ER), Zach Galifinakas, Joan Cusak, Elizabeth McGovern, Guy Pearce, Brenda Strong (finally, an emmy nod for the best part of Desperate Housewives, her amazing voice overs - show would not be the same without her), Julia Stiles, Elizabeth Banks, Evan Rachel Wood, Bruce Dern, Peter Dinklage, Loretta Devine (How divine!), Taraji P Henson, Greg Kinnear, Melissa Leo and Gwyneth Paltrow to name a few! Whew!
I love this stuff! I love the nominees. I love the new blood, new faces. Only thing to have made this morning better - were if my beloved Cougar Town had received any love at all...Any...especially that Courteney Cox and Busy Phillips. I can't even bring myself to consider any other snubs this morning - I'm too happy!
PS - Wow! Cloris Leachman was nominated for her 22nd time this morning and has won 8 Emmys. Betty White is not far behind her with her 17th nod with 5 wins, and surprisingly Alfre Woodard received her 16th commendation this morning and has won 4 times. Talk about Emmy LOVE!
Major category nominations listed below...and a few of my personal favorite - NOT major categories below that.
Comedy Series
The Big Bang Theory
Glee
Modern Family
The Office
Parks and Recreation
30 Rock
Drama Series
Boardwalk Empire
Dexter
Friday Night Lights
Game of Thrones
The Good Wife
Mad Men
Lead Actress in a Comedy
Laura Linney, The Big C
Edie Falco, Nurse Jackie
Amy Poehler, Parks and Recreation
Melissa McCarthy, Mike & Molly
Martha Plimpton, Raising Hope
Tina Fey, 30 Rock
Lead Actor in a Comedy
Matt LeBlanc, Episodes
Jim Parsons, The Big Bang Theory
Steve Carell, The Office
Johnny Galecki, The Big Bang Theory
Louis C.K., Louie
Alec Baldwin, 30 Rock
Lead Actor in a Drama
Steve Buscemi, Boardwalk Empire
Michael C. Hall, Dexter
Kyle Chandler, Friday Night Lights
Jon Hamm, Mad Men
Hugh Laurie, House
Timothy Olyphant, Justified
Lead Actress in a Drama
Elisabeth Moss, Mad Men
Connie Britton, Friday Night Lights
Mariska Hargitay, Law & Order: SVU
Mireille Enos, The Killing
Julianna Margulies, The Good Wife
Kathy Bates, Harry’s Law
Supporting Actor in a Comedy
Jon Cryer, Two and a Half Men
Chris Colfer, Glee
Jesse Tyler Ferguson, Modern Family
Ed O’Neill, Modern Family
Eric Stonestreet, Modern Family
Ty Burrell, Modern Family
Supporting Actor in a Drama
John Slattery, Mad Men
Andre Braugher, Men of a Certain Age
Walton Goggins, Justified
Peter Dinklage, Game of Thrones
Josh Charles, The Good Wife
Alan Cumming, The Good Wife
Supporting Actress in a Comedy
Jane Lynch, Glee
Betty White, Hot in Cleveland
Julie Bowen, Modern Family
Kristen Wiig, Saturday Night Live
Jane Krakowski, 30 Rock
Sofia Vergara, Modern Family
Supporting Actress in a Drama
Kelly Macdonald, Boardwalk Empire
Christina Hendricks, Mad Men
Michelle Forbes, The Killing
Archie Panjabi, The Good Wife
Margo Martindale, Justified
Mini-series or Made-for-Television Movie
Cinema Verite
Downton Abbey
The Kennedys
Mildred Pierce
The Pillars Of The Earth
Too Big To Fail
Variety, Music or Comedy Series
The Colbert Report
Conan
The Daily Show With Jon Stewart
Late Night With Jimmy Fallon
Real Time With Bill Maher
Saturday Night Live
Lead Actor in a Mini-Series or movie
Edgar Ramirez, Carlos
Greg Kinnear, The Kennedys
Barry Pepper, The Kennedys
Idris Elba, Luther
Laurence Fishburne, Thurgood
William Hurt, Too Big To Fail
Lead Actress in a Mini-Series or movie
Diane Lane, Cinema Verite
Elizabeth McGovern, Downton Abbey
Kate Winslet, Mildred Pierce
Taraji P. Henson, Taken From Me: The Tiffany Rubin Story
Jean Marsh, Upstairs Downstairs
Reality Program
Antiques Roadshow
Deadliest Catch
Hoarders
Kathy Griffin: My Life On The D-List
MythBusters
Undercover Boss
Reality Competition
The Amazing Race
American Idol
Dancing With The Stars
Project Runway
So You Think You Can Dance
Top Chef
Host of a Reality Program or Competition
Phil Keoghan, The Amazing Race
Ryan Seacrest, American Idol
Tom Bergeron, Dancing With The Stars
Cat Deeley, So You Think You Can
Jeff Probst, Survivor
Outstanding Choreography
Dancing With The Stars • Routines: Jive “I Write Sins Not Tragedies” / Viennese Waltz “Hedwigs Theme (Theme from Harry Potter)” / Slow Waltz “My Love” • ABC • BBC Worldwide Productions
Mark Ballas, Choreographer
So You Think You Can Dance • Routines: Alice in Mia-Land “Every Little Thing She Does Is Magic” / “When We Dance” / “This Bitter Earth - On The Nature of Daylight” • FOX • Dick Clark Productions in association with 19 Entertainment
Mia Michaels, Choreographer
So You Think You Can Dance • Routines: “Mad World” / “Sundrenched World” / “Heaven Is A Place On Earth” • FOX • Dick Clark Productions in association with 19 Entertainment
Stacey Tookey, Choreographer
So You Think You Can Dance • Routines: “Collide” / “How It Ends” / “Fix You” • FOX • Dick Clark Productions in association with 19 Entertainment
Travis Wall, Choreographer
So You Think You Can Dance • Routines: “Scars” / “Fallin” / “Outta Your Mind” • FOX • Dick Clark Productions in association with 19 Entertainment
Tabitha D'umo, Choreographer
Napoleon D'umo, Choreographer
So You Think You Can Dance • Routines: “Oh Yeah” / “Boogie Shoes” / “I Surrender” • FOX • Dick Clark Productions in association with 19 Entertainment
Mandy Jo Moore, Choreographer
Outstanding Guest Actor In A Comedy Series
The Big C • Showtime • Showtime Presents, Sony Pictures Television, Perkins Street Productions, Farm Kid, Original Film
Iris Elba as Lenny
Modern Family • ABC • Twentieth Century Fox Television
Nathan Lane as Pepper Saltzman
Saturday Night Live • NBC • SNL Studios in association with NBC Studios and Broadway Video
Zach Galifianakis, Host
Saturday Night Live • NBC • SNL Studios in association with NBC Studios and Broadway Video
Justin Timberlake, Host
30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios
Matt Damon as Carol
30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios
Will Arnett as Devin Banks
Outstanding Guest Actor In A Drama Series
Big Love • HBO • Anima Sola Productions and Playtone in association with HBO Entertainment
Bruce Dern as Frank Harlow
Brothers & Sisters • ABC • ABC Studios
Beau Bridges as Nick Brody
The Good Wife • CBS • CBS Productions
Michael J. Fox as Louis Canning
Harry's Law • NBC • Bonanza Productions, Inc. in association with David E. Kelley Productions and Warner Bros. Television
Paul McCrane as Josh Peyton
Justified • FX Networks • Sony Pictures Television and FX Productions
Jeremy Davies as Dickie Bennett
Mad Men • AMC • Lionsgate Television
Robert Morse as Bertram Cooper
Outstanding Guest Actress In A Comedy Series
Glee • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television
Kristin Chenoweth as April Rhodes
Glee • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television
Dot-Marie Jones as Coach Beiste
Glee • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television
Gwyneth Paltrow as Holly Holliday
Raising Hope • FOX • Twentieth Century Fox Television
Cloris Leachman as Maw Maw
Saturday Night Live • NBC • SNL Studios in association with NBC Studios and Broadway Video
Tina Fey, Host
30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios
Elizabeth Banks as Avery
Outstanding Guest Actress In A Drama Series
The Closer • TNT • The Shephard/Robin Company in association with Warner Bros. Television
Mary McDonnell as Capt. Sharon Raydor
Dexter • Showtime • Showtime Presents, John Goldwyn Productions, The Colleton Company, Chip Johannessen Productions
Julia Stiles as Lumen Pierce
Grey's Anatomy • ABC • ABC Studios
Loretta Devine as Adele Webber
Mad Men • AMC • Lionsgate Television
Randee Heller as Miss Blankenship
Mad Men • AMC • Lionsgate Television
Cara Buono as Faye Miller
Shameless • Showtime • Showtime Presents, John Wells Productions, Warner Bros. Television
Joan Cusack as Sheila Jackson
True Blood • HBO • Your Face Goes Here Entertainment in association with HBO Entertainment
Alfre Woodard as Ruby Jean Reynolds
Outstanding Casting For A Comedy Series
The Big C • Showtime • Showtime Presents, Sony Pictures Television, Perkins Street Productions, Farm Kid, Original Film
Julie Tucker, CSA, Casting Director
Ross Meyerson, CSA, Casting Director
Glee • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television
Robert J. Ulrich, CSA, Casting Director
Eric Dawson, CSA, Casting Director
Modern Family • ABC • Twentieth Century Fox Television
Jeff Greenberg, CSA, Casting Director
Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, A Caryn Mandabach Production
Julie Tucker, CSA, Casting Director
Ross Meyerson, CSA, Casting Director
30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios
Jennifer McNamara-Schroff, Casting Director
Katja Blichfield, Casting Director
Outstanding Casting For A Drama Series
Boardwalk Empire • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment
Ellen Lewis, Casting Director
Meredith Tucker, Casting Director
Game Of Thrones • HBO • Bighead, Littlehead, 360 Television, Grok and
Generator Productions in association with HBO Entertainment
Nina Gold, Casting Director
Robert Sterne, Casting Director
The Good Wife • CBS • CBS Productions
Mark Saks, CSA, Casting Director
The Killing • AMC • Fox Television Studios
Junie Lowry Johnson, Casting Director
Libby Goldstein, Casting Director
Stuart Aikins, Casting Director - Canada
Corrine Clark, Casting Director - Canada
Jennifer Page, Casting Director – Canada
Mad Men • AMC • Lionsgate Television
Laura Schiff, CSA, Casting Director
Carrie Audino, CSA, Casting Director
Outstanding Casting For A Miniseries, Movie Or A Special
Cinema Verite • HBO • A Pariah Productionin association with HBO Films
Randi Hiller, CSA, Casting Director
Downton Abbey (Masterpiece) • PBS • A co-production of Carnival and Masterpiece
Jill Trevellick, CDG, Casting Director
Mildred Pierce • HBO • A Killer Films/John Wells Production in association with Metro-Goldwyn-Mayer and HBO Miniseries
Laura Rosenthal, Casting Director
Too Big To Fail • HBO • A Spring Creek and A Deuce Three Production in association with HBO Films
Alexa L. Fogel, CSA, Casting Director
Upstairs Downstairs (Masterpiece) • PBS • A co-production of BBC Wales and WGBH Boston
Andy Pryor, CDG, Casting Director
Thursday, July 14, 2011
Thursday, April 21, 2011
A Kinder, Gentler Idol
Once there was Simon, Paula and Randy...and they fought and flirted and one-upped each other and made ridiculous fools of themselves all while trying to crown Americas favorite singer. Then came Kara. Simon, Paula, Randy and Kara was a lot of talking, and made all the shows go too long. Then Ellen stopped by and made everyone chuckle a little...and now...now its almost 'A Whole New World'. Cue the magic carpet. Randy, Jennifer and Steven....well...its certainly a different dynamic.
First - I love Aerosmith. I do. I know what Janie's got...I know what happens in an elevator and I know that Ben Affleck don't want to miss a thing. I love me some J-Lo. The Wedding Planner has got to be somewhere on my list of most delightful movie fluff...and hey, My Love Don't Cost A Thing either. And, initially, I thought - this will be brilliant! Idol will be brilliant! Real artists! And maybe at the start it was a little. (Yes, this does imply that I never thought Paula Abdul to be a real artist...though I maintain - I miss Kara and I thought she knew her stuff).
After the first few long audition days, J-Lo seemed to be able to cut to the chase and get the weirdos and untalented on their way...and Steven, well Steven was just entertaining...everyone seemed to be waiting on the edge of their seats for the bleep machine to be required. My early observations about the dynamic were how it all seemed more creative. The audition rounds seemed to be less "crazy-psycho-get-on-TV-thrillseekers" and more "great story, good singers, watch how these famous musicians play nice with the contestants" - which for me is far more enjoyable. First time in 10 seasons, I actually wanted to watch the early audition rounds. I loved the way Steven and Jennifer would groove with the singers and get into it and sometime audibly sing along- it made the IDOL experience seem entirely more artistic. Artists appreciating musical art. I kind of liked it. And, at first, at least - I really thought - that at the very least - Jennifer Lopez was somewhat discerning. And though there wasn't a Simon among them. Idol was still there and I liked it. A kinder, gentler version emerged of Idols once bipolar craziness.
THEN - Vegas. In Vegas, our superstar judges got to know the contestants, got to love them, had to make the more difficult decisions. Jennifer Lopez had a teary breakdown at having to cut the contestant with one of this seasons most heart wrenching stories - but - the guy didn't sound great. He just didn't - but because she knew the story - it was emotional. This should have been the first indicator of what was to come.
As the weeks progress, far less judging is happening. I thought for a time maybe they were just playing cheerleader roles - but now its just seeming ridiculous. It doesn't help that for the first time ever, each song for each contestant is getting "produced" causing some of the sparkle of idol to vanish. There is a certain magic in watching an amateur with an amazing voice figure it out. Amateur is all out the window. On the very first week - the singers had 'back up singers' and were releasing singles! The year Ruben Studdard won (and I voted my heart out for Clay) - back up singers didn't show up until the finale. Contestants were left to fend for themselves up until the end. Now - each contestant is subjected to lots and lots of pre-preformance - music-industry - know-it-all-ness...and only the strongest and most self-defined contestants have dared waiver from those opinions. It feels over-produced. It just does. OVER. PRODUCED. Take a week off Jimmy Iovine!
I wonder if some of this was born from Adam Lambert. Kris Allen may have been victorious but Adam Lambert changed Idol. He was and wanted to be so innovative with his performances - lighting, costuming, staging - all his ideas - and they seemed authentic and not forced (still love his voice - and no comment on his post-Idol idiocy). Now they are forcing the contestants to be performers from the start...expecting Adam Lambert - caliber performances - but it is all somebody elses creation - it feels so forced and the audience just isn't getting to experience the transformations - it is all happening behind the scenes. Kudos to Casey and James for trying to do their own things - but really - whose idea was the pyrotechnic piano?
Back to the judges. They just love everyone - its a sad day when the most discerning judge is name-dropping 'dawg' Randy! Steven never says a mean thing - but at least the accolades he offers are interesting. Probably my all time favorite Steven moment this season - was after James Durbin finished a great karoke version of Bon Jovi's "Its My Life" and Steven looked at him and said "don't go too "pop"-y on me"! As Steven seemed to be extending an offer as mentor to his new protege in James. Steven loves music and it is obvious - and he likes it and he wants to like it. He gets into it...and it can be fun to watch -but he doesn't offer any kind of judgement. Jennifer is emotionally involved. She is trying to offer helpful critique, but she too often gets swept up in the emotion and offers that of an endearing fan, rather than a genuine popstars assist. Randy is still Randy...with maybe a bit more responsibility. It seems he senses the responsibility he has to make sure the "Simon" voice is still represented...at least it seemed that way at first - but by now - he's just same old Randy - king of the "dawg pound".
This kinder, gentler, undiscerning idol is really absent a critical voice. And I think it is showing in the voting. I'm happy they introduced the judges SAVE. If for no other reason - than it gave me 2 more weeks of Matt Giraud - the first SAVE recipient. And, I have to say, I was happy they SAVED Casey. This competition would not be the same without the versatile Casey... but, they had to SAVE him, because I think America needs a Simon. They need someone to help them wade through their own emotion - and get to the nitty gritty...they need someone to notice what isn't good - when it all seems so right. And since there isn't any - the audience gets confused. But, not too confused - on the most recent results show - all of the 'voted off' top 12 contestants did a horrific group number - that served to hi-light that Paul McDonald really can't carry a tune (but hey, emotional me - still crazy loves him!) and that really only Pia of that group is a stand out. Too many words and wandering thoughts later - all I really need to say is: I miss Simon. The Idol voting America needs a Simon. Steven and J-Lo are fun...but a kinder, gentler idol also makes for a bit more of a boring idol too.
First - I love Aerosmith. I do. I know what Janie's got...I know what happens in an elevator and I know that Ben Affleck don't want to miss a thing. I love me some J-Lo. The Wedding Planner has got to be somewhere on my list of most delightful movie fluff...and hey, My Love Don't Cost A Thing either. And, initially, I thought - this will be brilliant! Idol will be brilliant! Real artists! And maybe at the start it was a little. (Yes, this does imply that I never thought Paula Abdul to be a real artist...though I maintain - I miss Kara and I thought she knew her stuff).
After the first few long audition days, J-Lo seemed to be able to cut to the chase and get the weirdos and untalented on their way...and Steven, well Steven was just entertaining...everyone seemed to be waiting on the edge of their seats for the bleep machine to be required. My early observations about the dynamic were how it all seemed more creative. The audition rounds seemed to be less "crazy-psycho-get-on-TV-thrillseekers" and more "great story, good singers, watch how these famous musicians play nice with the contestants" - which for me is far more enjoyable. First time in 10 seasons, I actually wanted to watch the early audition rounds. I loved the way Steven and Jennifer would groove with the singers and get into it and sometime audibly sing along- it made the IDOL experience seem entirely more artistic. Artists appreciating musical art. I kind of liked it. And, at first, at least - I really thought - that at the very least - Jennifer Lopez was somewhat discerning. And though there wasn't a Simon among them. Idol was still there and I liked it. A kinder, gentler version emerged of Idols once bipolar craziness.
THEN - Vegas. In Vegas, our superstar judges got to know the contestants, got to love them, had to make the more difficult decisions. Jennifer Lopez had a teary breakdown at having to cut the contestant with one of this seasons most heart wrenching stories - but - the guy didn't sound great. He just didn't - but because she knew the story - it was emotional. This should have been the first indicator of what was to come.
As the weeks progress, far less judging is happening. I thought for a time maybe they were just playing cheerleader roles - but now its just seeming ridiculous. It doesn't help that for the first time ever, each song for each contestant is getting "produced" causing some of the sparkle of idol to vanish. There is a certain magic in watching an amateur with an amazing voice figure it out. Amateur is all out the window. On the very first week - the singers had 'back up singers' and were releasing singles! The year Ruben Studdard won (and I voted my heart out for Clay) - back up singers didn't show up until the finale. Contestants were left to fend for themselves up until the end. Now - each contestant is subjected to lots and lots of pre-preformance - music-industry - know-it-all-ness...and only the strongest and most self-defined contestants have dared waiver from those opinions. It feels over-produced. It just does. OVER. PRODUCED. Take a week off Jimmy Iovine!
I wonder if some of this was born from Adam Lambert. Kris Allen may have been victorious but Adam Lambert changed Idol. He was and wanted to be so innovative with his performances - lighting, costuming, staging - all his ideas - and they seemed authentic and not forced (still love his voice - and no comment on his post-Idol idiocy). Now they are forcing the contestants to be performers from the start...expecting Adam Lambert - caliber performances - but it is all somebody elses creation - it feels so forced and the audience just isn't getting to experience the transformations - it is all happening behind the scenes. Kudos to Casey and James for trying to do their own things - but really - whose idea was the pyrotechnic piano?
Back to the judges. They just love everyone - its a sad day when the most discerning judge is name-dropping 'dawg' Randy! Steven never says a mean thing - but at least the accolades he offers are interesting. Probably my all time favorite Steven moment this season - was after James Durbin finished a great karoke version of Bon Jovi's "Its My Life" and Steven looked at him and said "don't go too "pop"-y on me"! As Steven seemed to be extending an offer as mentor to his new protege in James. Steven loves music and it is obvious - and he likes it and he wants to like it. He gets into it...and it can be fun to watch -but he doesn't offer any kind of judgement. Jennifer is emotionally involved. She is trying to offer helpful critique, but she too often gets swept up in the emotion and offers that of an endearing fan, rather than a genuine popstars assist. Randy is still Randy...with maybe a bit more responsibility. It seems he senses the responsibility he has to make sure the "Simon" voice is still represented...at least it seemed that way at first - but by now - he's just same old Randy - king of the "dawg pound".
This kinder, gentler, undiscerning idol is really absent a critical voice. And I think it is showing in the voting. I'm happy they introduced the judges SAVE. If for no other reason - than it gave me 2 more weeks of Matt Giraud - the first SAVE recipient. And, I have to say, I was happy they SAVED Casey. This competition would not be the same without the versatile Casey... but, they had to SAVE him, because I think America needs a Simon. They need someone to help them wade through their own emotion - and get to the nitty gritty...they need someone to notice what isn't good - when it all seems so right. And since there isn't any - the audience gets confused. But, not too confused - on the most recent results show - all of the 'voted off' top 12 contestants did a horrific group number - that served to hi-light that Paul McDonald really can't carry a tune (but hey, emotional me - still crazy loves him!) and that really only Pia of that group is a stand out. Too many words and wandering thoughts later - all I really need to say is: I miss Simon. The Idol voting America needs a Simon. Steven and J-Lo are fun...but a kinder, gentler idol also makes for a bit more of a boring idol too.
Thursday, April 1, 2010
Alice reimagined
Ah, Alice in Wonderland, how you've grown. One thing is for certain, this is not the Disney cartoon.
I saw this movie at an IMAX theater and in 3d. So let me start by addressing the technical parts of 3d and the moster screen. The visual imagry was very, very sharp. It was quite impressive, actually. The colors were crisp and vivid and the 3d was well used to provide depth to the picture. But I have one small complaint. It seems that directors feel it is a requirement to shove things at the screen when they have a 3d camera. The sudden objects flying "right at you" without being part of the story - I really dislike that. And there were a couple of times that Alice did this, and it's a shame they interrupted an otherwise enjoyable 3d experience.. It was the only part of the movie that felt forced in 3d.
Reviewing the movie starts and ends with Tim Burton. His unique visual style is very much at the forefront of this movie. From the Red Queen's (Helena Bonham Carter) oversized head, to the Mad Hatter's (Johnny Depp) outfit, makeup and changing eyes, to the White Queen's (Anne Hathaway) odd behavior and dark makeup - this movie carries Tim Burton's stamp of strangeness through and through. Now, this isn't necessarily a bad thing. I am not necessarily a fan of that look/feel, but I honestly felt it worked in this movie. The settings vary from bright (the garden in the real world, the White Queen's castle) to dark (Red Queen's castle and the chessboard) and uses color and light very effectively to convey mood. Color is also used with the Mad Hatter - his eyes change color as his mood swings.
The acting is the movie was superb. Johnny Depp and Helena Bonham Carter put in their usual great character work. Anne Hathaway puts a very interesting spin on the White Queen - it bothered me, but it was well acted. My favorite, however, was relative newcomer Mia Wasikowska in the titular role. I was very impressed with her. She carried a screen presence that really worked for me.
Overall, this movie is one I would (and have!) recommend to anybody. I saw it with a group of friends on a Saturday, and liked it enough to take my four children the next Monday. My youngest is almost 6, and she loved the movie. There were certainly parts that were scary (the Jabberwocky, comes to mind) for her, but she enjoyed it anyway. My almost-13 year old daughter said it was one of her favorite movies of all time. And it certainly was one of my favorite Tim Burton movies.
I saw this movie at an IMAX theater and in 3d. So let me start by addressing the technical parts of 3d and the moster screen. The visual imagry was very, very sharp. It was quite impressive, actually. The colors were crisp and vivid and the 3d was well used to provide depth to the picture. But I have one small complaint. It seems that directors feel it is a requirement to shove things at the screen when they have a 3d camera. The sudden objects flying "right at you" without being part of the story - I really dislike that. And there were a couple of times that Alice did this, and it's a shame they interrupted an otherwise enjoyable 3d experience.. It was the only part of the movie that felt forced in 3d.
Reviewing the movie starts and ends with Tim Burton. His unique visual style is very much at the forefront of this movie. From the Red Queen's (Helena Bonham Carter) oversized head, to the Mad Hatter's (Johnny Depp) outfit, makeup and changing eyes, to the White Queen's (Anne Hathaway) odd behavior and dark makeup - this movie carries Tim Burton's stamp of strangeness through and through. Now, this isn't necessarily a bad thing. I am not necessarily a fan of that look/feel, but I honestly felt it worked in this movie. The settings vary from bright (the garden in the real world, the White Queen's castle) to dark (Red Queen's castle and the chessboard) and uses color and light very effectively to convey mood. Color is also used with the Mad Hatter - his eyes change color as his mood swings.
The acting is the movie was superb. Johnny Depp and Helena Bonham Carter put in their usual great character work. Anne Hathaway puts a very interesting spin on the White Queen - it bothered me, but it was well acted. My favorite, however, was relative newcomer Mia Wasikowska in the titular role. I was very impressed with her. She carried a screen presence that really worked for me.
Overall, this movie is one I would (and have!) recommend to anybody. I saw it with a group of friends on a Saturday, and liked it enough to take my four children the next Monday. My youngest is almost 6, and she loved the movie. There were certainly parts that were scary (the Jabberwocky, comes to mind) for her, but she enjoyed it anyway. My almost-13 year old daughter said it was one of her favorite movies of all time. And it certainly was one of my favorite Tim Burton movies.
Tuesday, February 2, 2010
Oscar: The Groundhog?: Award Show Fever
First - It's Groundhog Day! Second - Its Oscar Nod day! Or wait - First - Oscar, Second - Groundhog? Such a weird pairing to have Oscar Nominations and Punxsutawney Phil vying for "center stage" so early this morning. But, they did - and who won out at my house? Academy President Tom Sherak and Ann Hathaway making announcements at 6:38am this morning - thats who. And there weren't that many surprises - and I love surprises.
My biggest disappointments were in omissions. Emily Blunt - in Young Victoria - I so wanted her to get a nod - and while Sandra, Meryl, Gabby and Helen seemed locked in for the category - there was a fifth "open" slot (though I may be the only one who thought it was open) that went to Carey Mulligan in An Education. Maybe I'll feel differently when I actually see An Education, but Emily Blunt made my movie going experience with Young Victoria - so great - I really had hopes for her. Also - I REALLY wanted Star Trek to make into the 10 nominee Best Picture category - no luck. And I thought it would have been funny if The Hangover would have made it - but of course - I know that the Academy rarely has a sense of humor. How could 500 Days of Summer not be nominated for Original Screenplay? , 500 is nothing but originality. That one is a major bummer. And... I would have loved, loved, loved if Robert Downey, Jr had won a nomination for Sherlock Holmes... his Golden Globes win for this still makes me giggle. I absolutely adore him.
On to the actual nominations list - only a few mild surprises and one regular sized surprise. First, Maggie Gyllenhaal's nod for Crazy Heart was a regular sized surprise. Largely overlooked this award season - it seems Jeff Bridges did have some help in this little movie. Penelope Cruz in Nine is a smaller surprise as this movie does not have critical or box office success behind it - but the Academy just loves her...so its not that shocking. I would say Matt Damon and Woody Harrelson weren't sure things but their names were certainly on the short lists.
A few fun observations:
Up is up for Best Animated Feature and Best Film - I'm surprised this is allowed. If Up is really good enough to be a Best Picture nominee doesn't that automatically make it the Best Animated Feature? I guess it will be interesting if it doesn't win Animated Feature. And its up for original screenplay. Nice.
Speaking of Best Animated Feature - What is "The Secret of Kells"? And why was Cloudy with a Chance of Meatballs not on this list...if just to hear it announced at the Oscars.
First year with 10 nominations for Best Film since 1943. From 1931 to 1943 there were 8 to 12 best-picture nominees. There were 10 in 1943 when Casablanca won, but then it switched to 5 until this year. Will it change the outcome, I wonder? Or will it just make the nomination list longer - so 5 more films can put 2009 Best Picture Nominee on their DVD Jacket?
Meryl Streep continues to reign as the most nominated actor in Oscar history. Increasing her tally to 16 nods, she is gaining a significant lead over Kathryn Hepburn and Jack Nicolson (both at 12). Its a wonder she only has 2 trophies - 1 lead (Sophies Choice)and 1 supporting (Kramer vs Kramer). Steep did just break the record for most best actress nominations - now at 13. (All 12 of Hepburns were Best Actress). Hepburn is still the most honored - with 4 trophies (Morning Glory in 1933, .Guess Who's Coming to Dinner, 1967, The Lion in Winter, 1968, On Golden Pond, 1981) Nicolson ( ("As Good as It Gets," 1997; "Terms of Endearment," 1983; "One Flew Over the Cuckoo's Nest," 1975), Ingrid Bergman ( Murder on the Orient Express," 1974; "Anastasia," 1956; "Gaslight," 1944) and Walter Brennan (The Westerner," 1940; "Kentucky," 1938; "Come and Get It," 1936) are tied for 2nd with 3 triumphs a piece.
Razzie Award Nominations for the Worst in Film were released 2 days ago. Sandra Bullock leads the Razzies and the Oscars (with her first nomination - really first?) in the same year. She really has had a big year...2 big box office successes, The Proposal and The Blind Side, Golden Globe and SAG trophies and appearing in one of the worst films I have ever paid to see, All About Steve. I think its an interesting dichotomy...and while the Razzies do not have the critical acclaim or respect of the Oscars - and really don't deserve to be in same paragraph with the Oscars... it is still a feat never before achieved. Sandra Bullock could win a Razzie for the Worst Actress of 2009 and then the next day win an Oscar for the Best Actress of 2009 (and she will win that Oscar - that one is locked up). I mostly just think its really funny.
Kathryn Bigelow is now only the 4th woman in Oscar history nominated as Best Director (Lina Wertmüller for 1976's Seven Beauties, Jane Campion for 1993's The Piano, Sofia Coppola for 2003's Lost in Translation) - and may be the first ever to win. After besting her former husband (Bigelow and Cameron were married from 89-91) James Cameron at the Directors Guild Awards in a bit of a surprise win - she is now the favorite to win for The Hurt Locker. But, you never know - Avatar is surprising everyone - and James Cameron is still the King of the World. I'll have a firmer opinion of this once I see Avatar. Am I the ONLY one left who hasn't seen it? I liked The Hurt Locker - it looks and feels different than any other movie I saw from 2009 - and is an apparently fairly accurate telling of modern day war - it was interesting and quiet and haunting.
A note about this awards show season - it seems the last few years have each had a couple of events that were too close together. Last year the Golden Globes and Oscar nominations were hours apart. This year, the Golden Globes and the SAG Awards were 6 days apart. Both televised - the SAG Awards, the unfortunate 2nd of the 2, felt like deja vu. The winners score cards were almost identical for the acting categories...it felt like TV repeat week as we saw the same actors in different attire - giving 2nd acceptance speeches. There were a few exceptions to the winners tally - Tina Fey won a SAG - Toni Collette won the Globe. Inglorious Basterds cast won the SAG - Avatar and The Hangover won the Best Picture Globes. But, still it just felt so overdone being so close together. If not for the Achievement award given to the lively Betty White - the SAGs would have been entirely uneventful. Spread these things out - please! All the award shows deserve their due!
Alec Baldwin and Steve Martin co-host the Oscars on March 7th. What fun! Steve Martin has done it solo - and I enjoyed it...but I think this pairing is brilliant! After starring together in Its Complicated (a film noteworthy only for the remarkable performances of its players - Baldwin, Martin - Meryl Streep and John Krazinski) the only way I would have expected to see them together again would be on an All-Star SNL tribute. I can't wait to see how it all plays out.
Full nominations below
Bold - my pick to win
Italics - if I were an Academy voter and could vote in EVERY category...I would vote for...
Best Picture
'Avatar'
'The Blind Side'
'District 9'
'An Education'
'The Hurt Locker'
'Inglourious Basterds'
'Precious'
'A Serious Man'
'Up'
'Up in the Air'
Best Director
James Cameron, 'Avatar'
Kathryn Bigelow, 'The Hurt Locker'
Quentin Tarantino, 'Inglourious Basterds'
Lee Daniels, 'Precious'
Jason Reitman, 'Up in the Air'
Best Actor
Jeff Bridges, 'Crazy Heart'
George Clooney, 'Up in the Air'
Colin Firth, 'A Single Man'
Morgan Freeman, 'Invictus'
Jeremy Renner, 'The Hurt Locker'
Best Actress
Sandra Bullock, 'The Blind Side'
Helen Mirren, 'The Last Station'
Carey Mulligan, 'An Education'
Gabourey Sidibe, 'Precious'
Meryl Streep, 'Julie & Julia'
Best Supporting Actor
Matt Damon, 'Invictus'
Woody Harrelson, 'The Messenger'
Christopher Plummer, 'The Last Station'
Stanley Tucci, 'The Lovely Bones'
Christoph Waltz, 'Inglourious Basterds'
Best Supporting Actress
Penelope Cruz, 'Nine'
Vera Farmiga, 'Up in the Air'
Maggie Gyllenhaal, 'Crazy Heart'
Anna Kendrick, 'Up in the Air'
Mo'nique, 'Precious'
Best Animated Feature Film
'Coraline'
'Fantastic Mr. Fox'
'The Princess and the Frog'
'The Secret of Kells'
'Up'
Best Foreign Film
Israel - 'Ajami'
Argentina - 'El Secreto de sus Ojos'
Peru - 'The Milk of Sorrow'
France - 'Un Prophete'
Germany - 'The White Ribbon'
Best Original Screenplay
Mark Boal, 'The Hurt Locker'
Quentin Tarantino, 'Inglourious Basterds'
Alessandro Camon and Oren Moverman, 'The Messenger'
Joel Coen and Ethan Coen, 'A Serious Man'
Peter Docter, Bob Peterson, Tom McCarthy, 'Up'
Best Adapted Screenplay
Neill Blomkamp and Terri Tatchell, 'District 9'
Nick Hornby, 'An Education'
Jesse Armstron, Simon Blackwell, Armando Iannucci, Tony Roche, 'In the Loop'
Geoffrey Fletcher, 'Precious'
Jason Reitman, Sheldon Turner, 'Up in the Air'
Best Documentary Feature
'Burma VJ'
'The Cove'
'Food, Inc.'
'The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers'
'Which Way Home'
Best Original Score
'Avatar'
'Fantastic Mr. Fox'
'The Hurt Locker'
'Sherlock Holmes'
'Up'
Best Original Song
'Almost There' from 'The Princess and the Frog,' Music and Lyric by Randy Newman
'Down in New Orleans' from 'The Princess and the Frog,' Music and Lyric by Randy Newman
'Loin de Paname' from 'Paris 36,' Music by Reinhardt Wagner Lyric by Frank Thomas
'Take It All' from 'Nine,' Music and Lyric by Maury Yeston
'The Weary Kind (Theme from Crazy Heart)' from 'Crazy Heart,' Music and Lyric by Ryan Bingham and T Bone Burnett
Best Film Editing
'Avatar'
'District 9'
'The Hurt Locker'
'Inglourious Basterds'
'Precious'
Best Cinematography
'Avatar'
'Harry Potter and the Half-Blood Prince'
'The Hurt Locker'
'Inglourious Basterds'
'The White Ribbon'
Best Costume Design
'Bright Star'
'Coco Before Chanel'
'The Imaginarium of Doctor Parnassus'
'Nine'
'The Young Victoria'
And if anyone cares.... Punxsutawney Phil saw his shadow and we've got 6 more weeks of winter folks. Mostly, though. on this Groundhog day - I think Phils spotlight was stolen by Oscar...
My biggest disappointments were in omissions. Emily Blunt - in Young Victoria - I so wanted her to get a nod - and while Sandra, Meryl, Gabby and Helen seemed locked in for the category - there was a fifth "open" slot (though I may be the only one who thought it was open) that went to Carey Mulligan in An Education. Maybe I'll feel differently when I actually see An Education, but Emily Blunt made my movie going experience with Young Victoria - so great - I really had hopes for her. Also - I REALLY wanted Star Trek to make into the 10 nominee Best Picture category - no luck. And I thought it would have been funny if The Hangover would have made it - but of course - I know that the Academy rarely has a sense of humor. How could 500 Days of Summer not be nominated for Original Screenplay? , 500 is nothing but originality. That one is a major bummer. And... I would have loved, loved, loved if Robert Downey, Jr had won a nomination for Sherlock Holmes... his Golden Globes win for this still makes me giggle. I absolutely adore him.
On to the actual nominations list - only a few mild surprises and one regular sized surprise. First, Maggie Gyllenhaal's nod for Crazy Heart was a regular sized surprise. Largely overlooked this award season - it seems Jeff Bridges did have some help in this little movie. Penelope Cruz in Nine is a smaller surprise as this movie does not have critical or box office success behind it - but the Academy just loves her...so its not that shocking. I would say Matt Damon and Woody Harrelson weren't sure things but their names were certainly on the short lists.
A few fun observations:
Up is up for Best Animated Feature and Best Film - I'm surprised this is allowed. If Up is really good enough to be a Best Picture nominee doesn't that automatically make it the Best Animated Feature? I guess it will be interesting if it doesn't win Animated Feature. And its up for original screenplay. Nice.
Speaking of Best Animated Feature - What is "The Secret of Kells"? And why was Cloudy with a Chance of Meatballs not on this list...if just to hear it announced at the Oscars.
First year with 10 nominations for Best Film since 1943. From 1931 to 1943 there were 8 to 12 best-picture nominees. There were 10 in 1943 when Casablanca won, but then it switched to 5 until this year. Will it change the outcome, I wonder? Or will it just make the nomination list longer - so 5 more films can put 2009 Best Picture Nominee on their DVD Jacket?
Meryl Streep continues to reign as the most nominated actor in Oscar history. Increasing her tally to 16 nods, she is gaining a significant lead over Kathryn Hepburn and Jack Nicolson (both at 12). Its a wonder she only has 2 trophies - 1 lead (Sophies Choice)and 1 supporting (Kramer vs Kramer). Steep did just break the record for most best actress nominations - now at 13. (All 12 of Hepburns were Best Actress). Hepburn is still the most honored - with 4 trophies (Morning Glory in 1933, .Guess Who's Coming to Dinner, 1967, The Lion in Winter, 1968, On Golden Pond, 1981) Nicolson ( ("As Good as It Gets," 1997; "Terms of Endearment," 1983; "One Flew Over the Cuckoo's Nest," 1975), Ingrid Bergman ( Murder on the Orient Express," 1974; "Anastasia," 1956; "Gaslight," 1944) and Walter Brennan (The Westerner," 1940; "Kentucky," 1938; "Come and Get It," 1936) are tied for 2nd with 3 triumphs a piece.
Razzie Award Nominations for the Worst in Film were released 2 days ago. Sandra Bullock leads the Razzies and the Oscars (with her first nomination - really first?) in the same year. She really has had a big year...2 big box office successes, The Proposal and The Blind Side, Golden Globe and SAG trophies and appearing in one of the worst films I have ever paid to see, All About Steve. I think its an interesting dichotomy...and while the Razzies do not have the critical acclaim or respect of the Oscars - and really don't deserve to be in same paragraph with the Oscars... it is still a feat never before achieved. Sandra Bullock could win a Razzie for the Worst Actress of 2009 and then the next day win an Oscar for the Best Actress of 2009 (and she will win that Oscar - that one is locked up). I mostly just think its really funny.
Kathryn Bigelow is now only the 4th woman in Oscar history nominated as Best Director (Lina Wertmüller for 1976's Seven Beauties, Jane Campion for 1993's The Piano, Sofia Coppola for 2003's Lost in Translation) - and may be the first ever to win. After besting her former husband (Bigelow and Cameron were married from 89-91) James Cameron at the Directors Guild Awards in a bit of a surprise win - she is now the favorite to win for The Hurt Locker. But, you never know - Avatar is surprising everyone - and James Cameron is still the King of the World. I'll have a firmer opinion of this once I see Avatar. Am I the ONLY one left who hasn't seen it? I liked The Hurt Locker - it looks and feels different than any other movie I saw from 2009 - and is an apparently fairly accurate telling of modern day war - it was interesting and quiet and haunting.
A note about this awards show season - it seems the last few years have each had a couple of events that were too close together. Last year the Golden Globes and Oscar nominations were hours apart. This year, the Golden Globes and the SAG Awards were 6 days apart. Both televised - the SAG Awards, the unfortunate 2nd of the 2, felt like deja vu. The winners score cards were almost identical for the acting categories...it felt like TV repeat week as we saw the same actors in different attire - giving 2nd acceptance speeches. There were a few exceptions to the winners tally - Tina Fey won a SAG - Toni Collette won the Globe. Inglorious Basterds cast won the SAG - Avatar and The Hangover won the Best Picture Globes. But, still it just felt so overdone being so close together. If not for the Achievement award given to the lively Betty White - the SAGs would have been entirely uneventful. Spread these things out - please! All the award shows deserve their due!

Full nominations below
Bold - my pick to win
Italics - if I were an Academy voter and could vote in EVERY category...I would vote for...
Best Picture
'Avatar'
'The Blind Side'
'District 9'
'An Education'
'The Hurt Locker'
'Inglourious Basterds'
'Precious'
'A Serious Man'
'Up'
'Up in the Air'
Best Director
James Cameron, 'Avatar'
Kathryn Bigelow, 'The Hurt Locker'
Quentin Tarantino, 'Inglourious Basterds'
Lee Daniels, 'Precious'
Jason Reitman, 'Up in the Air'
Best Actor
Jeff Bridges, 'Crazy Heart'
George Clooney, 'Up in the Air'
Colin Firth, 'A Single Man'
Morgan Freeman, 'Invictus'
Jeremy Renner, 'The Hurt Locker'
Best Actress
Sandra Bullock, 'The Blind Side'
Helen Mirren, 'The Last Station'
Carey Mulligan, 'An Education'
Gabourey Sidibe, 'Precious'
Meryl Streep, 'Julie & Julia'
Best Supporting Actor
Matt Damon, 'Invictus'
Woody Harrelson, 'The Messenger'
Christopher Plummer, 'The Last Station'
Stanley Tucci, 'The Lovely Bones'
Christoph Waltz, 'Inglourious Basterds'
Best Supporting Actress
Penelope Cruz, 'Nine'
Vera Farmiga, 'Up in the Air'
Maggie Gyllenhaal, 'Crazy Heart'
Anna Kendrick, 'Up in the Air'
Mo'nique, 'Precious'
Best Animated Feature Film
'Coraline'
'Fantastic Mr. Fox'
'The Princess and the Frog'
'The Secret of Kells'
'Up'
Best Foreign Film
Israel - 'Ajami'
Argentina - 'El Secreto de sus Ojos'
Peru - 'The Milk of Sorrow'
France - 'Un Prophete'
Germany - 'The White Ribbon'
Best Original Screenplay
Mark Boal, 'The Hurt Locker'
Quentin Tarantino, 'Inglourious Basterds'
Alessandro Camon and Oren Moverman, 'The Messenger'
Joel Coen and Ethan Coen, 'A Serious Man'
Peter Docter, Bob Peterson, Tom McCarthy, 'Up'
Best Adapted Screenplay
Neill Blomkamp and Terri Tatchell, 'District 9'
Nick Hornby, 'An Education'
Jesse Armstron, Simon Blackwell, Armando Iannucci, Tony Roche, 'In the Loop'
Geoffrey Fletcher, 'Precious'
Jason Reitman, Sheldon Turner, 'Up in the Air'
Best Documentary Feature
'Burma VJ'
'The Cove'
'Food, Inc.'
'The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers'
'Which Way Home'
Best Original Score
'Avatar'
'Fantastic Mr. Fox'
'The Hurt Locker'
'Sherlock Holmes'
'Up'
Best Original Song
'Almost There' from 'The Princess and the Frog,' Music and Lyric by Randy Newman
'Down in New Orleans' from 'The Princess and the Frog,' Music and Lyric by Randy Newman
'Loin de Paname' from 'Paris 36,' Music by Reinhardt Wagner Lyric by Frank Thomas
'Take It All' from 'Nine,' Music and Lyric by Maury Yeston
'The Weary Kind (Theme from Crazy Heart)' from 'Crazy Heart,' Music and Lyric by Ryan Bingham and T Bone Burnett
Best Film Editing
'Avatar'
'District 9'
'The Hurt Locker'
'Inglourious Basterds'
'Precious'
Best Cinematography
'Avatar'
'Harry Potter and the Half-Blood Prince'
'The Hurt Locker'
'Inglourious Basterds'
'The White Ribbon'
Best Costume Design
'Bright Star'
'Coco Before Chanel'
'The Imaginarium of Doctor Parnassus'
'Nine'
'The Young Victoria'
And if anyone cares.... Punxsutawney Phil saw his shadow and we've got 6 more weeks of winter folks. Mostly, though. on this Groundhog day - I think Phils spotlight was stolen by Oscar...
Sorry Phil!
Wednesday, January 20, 2010
Daybreakers - More emo vampires?
After watching the previews for Daybreakers, I wasn't expecting anything special from this movie. And that's good, because I certainly didn't get anything special. I liked the idea of the movie - a world where vampires are the norm, and humans have been hunted to near extinction. It did a good job of giving us that world - from commercials to the subwalk (to walk around during the day) to car conversions for daytime driving (totally blackened windows and cameras to see where you are going), it sold that well. But after thinking about this movie, I was left with one pressing question.
Why the heck are all the vampires today little whiney crybabies?
But aside from that question, the move was exactly as advertised. I'm a huge Ethan Hawke fan. I'm not a fan of Sam Neill. Willem Dafoe can go either way for me. I like vampire and "ruined earth" movies. But the movie just didn't seem to come together very well. It went very slowly through unimportant parts, lingering on details and plot devices that didn't go anywyere - and then it would fly through the important parts, passing on any real character or main plot development. Seemed a bit disjointed.
The bottom line - the movie was pretty much what was advertised. They never advertised coherency, and the movie suffered for its lack. But it was passably entertaining.
Why the heck are all the vampires today little whiney crybabies?
But aside from that question, the move was exactly as advertised. I'm a huge Ethan Hawke fan. I'm not a fan of Sam Neill. Willem Dafoe can go either way for me. I like vampire and "ruined earth" movies. But the movie just didn't seem to come together very well. It went very slowly through unimportant parts, lingering on details and plot devices that didn't go anywyere - and then it would fly through the important parts, passing on any real character or main plot development. Seemed a bit disjointed.
The bottom line - the movie was pretty much what was advertised. They never advertised coherency, and the movie suffered for its lack. But it was passably entertaining.
Sunday, December 27, 2009
Unmet Expectations: Alvin and the Morgans
I volunteered to take my niece to a "kids show" while the other adults in my family went to see The Blind Side - a movie I had already seen, and thoroughly enjoyed (review another day). So, I ventured out to see Alvin and the Chipmunks, the Squeakquel - 4 year old in tow - with virtually no expections. I wasn't exactly dreading the movie - but I wasn't thinking I would enjoy it either. First, I should admit - I love Jason Lee. From Mallrats and Chasing Amy to Almost Famous to the baddie in The Incredibles to Earl - I just love him. It takes a lot for me to Not enjoy him - even in the worst of films (A Guy Thing - anyone?) So, at least I would have that. I was a little disappointed when I realized at the beginning of the film - that he as the Chipmunk "dad" would be "laid up" for most of the film and not in much of it. Imagine my joyous surprise to discover, none other than Zachery Levi (NBCs Chuck) filling in. (I love him - more than Jason Lee - even). And the surprises continued - as I ended up really liking this flick. The introduction of the Chipettes is fun, the Chipmunk-ified versions of Hot n Cold, Put Your Records on and I Gotta Feelin - are hip, current and fun. Overall, the music is great. David Cross - funny and perfect as the bad guy - made it all palatable. My only distraction throughout was my agonizing attempt to identify who was voicing Simon, the pronounciations and inflections of the voice were so familiar! It wasn't until I searched the credits at the end, that I was appeased. Matthew Gray Gubler (Dr. Spencer Reid of CBS's Criminal Minds) was the culprit, and is perfect as brainiac Simon. None of the other big name voices were identifiable in their Chipmunk versions. I love Justin Long and Anna Faris and Christina Applegate, Amy Poehler and Jesse McCartney - but I didn't know it was them behind the high pitched squeaks. Wendie Malik is hilarious as the Chipmunk obsessed principal - and I'm always happy to see Kathryn Joosten pop up anywhere(she will always be Mrs. Landingham to me). In the end, for me and for the 4 year old next to me - it all really worked. It was a fun movie experience - the kind of light movie fare I was hoping for on a busy Christmas Eve.
So if you have a choice between Alvin and the Morgans, surprisingly - I say go with Alvin.
Monday, November 16, 2009
Staring at farm animals
The Men Who Stare at Goats was a movie that had all the right elements for me to like. One actor I'm a pretty big fan of (George Clooney), an actor I'm a HUGE fan of (Ewan McGregor), a supporting cast with actors I like (Kevin Spacey and Jeff Bridges) and Stephen Root. Add to that a teaser trailer and preview that I totally liked (http://www.youtube.com/watch?v=SreufFevUSw) and I was not going to miss this movie. And I was not disappointed.
The story of a reporter trying to prove himself to his ex-wife and an ex-soldier's quest for personal redemption was certainly quirky. And like a lot of quirky movies, I can see where this movie may not "click" with everybody. But I think it has fairly high appeal. I saw this movie on a date, and we both laughed throughout the movie. The humor is blatent at times and subtle at times - just the way I like it - and includes occasional scenes of ridiculousness that are sure to draw a laugh. One highlight is two security companies in Iraq engaging in small arms combat...with each other. Nothing wrong with a little social commentary.
Ewan McGregor voices over a large portion of the movie, narrating the story. I'm not a huge fan of this method, but it fit the feel of the movie. His role as the reporter that stumbles on a psychic soldier program is played to perfection, with plenty of enthusiasm. George Clooney didn't "wow" me as much as I expected as a former soldier, his role involved quite a bit of doing nothing. Don't miss him dressed as a hippy soldier though - the long hair and sideburns were hilarious. And Jeff Bridges was simply fantastic as the mastermind of the psychic soldier program.
As is becoming all too normal, my major complaint is that the preview gives away two of the funniest moments of the movie. This is a trend I think REALLY needs to stop. I know that it can be hard to sell a movie without using top scenes, but I always feel a little ripped off when the movie spends 10 minutes setting up a scene that I've already seen 20 times in previews. And if you figure out the 10 minutes of build up is going to end with that already spoiled punchline, it can make that 10 minutes very boring. I'd even go so far as to say that in some movies it can interrupt the flow, which is an unfair thing to do to a good movie. The best compliment I can give this particular movie is that even with some top moments spoiled in advance, I still laughed at the spectacular execution of those moments.
Overall I liked this movie. I went in expecting a funny and well-acted movie and that's exactly what I got. I laughed and walked away smiling, and that's worth my ten bucks.
The story of a reporter trying to prove himself to his ex-wife and an ex-soldier's quest for personal redemption was certainly quirky. And like a lot of quirky movies, I can see where this movie may not "click" with everybody. But I think it has fairly high appeal. I saw this movie on a date, and we both laughed throughout the movie. The humor is blatent at times and subtle at times - just the way I like it - and includes occasional scenes of ridiculousness that are sure to draw a laugh. One highlight is two security companies in Iraq engaging in small arms combat...with each other. Nothing wrong with a little social commentary.
Ewan McGregor voices over a large portion of the movie, narrating the story. I'm not a huge fan of this method, but it fit the feel of the movie. His role as the reporter that stumbles on a psychic soldier program is played to perfection, with plenty of enthusiasm. George Clooney didn't "wow" me as much as I expected as a former soldier, his role involved quite a bit of doing nothing. Don't miss him dressed as a hippy soldier though - the long hair and sideburns were hilarious. And Jeff Bridges was simply fantastic as the mastermind of the psychic soldier program.
As is becoming all too normal, my major complaint is that the preview gives away two of the funniest moments of the movie. This is a trend I think REALLY needs to stop. I know that it can be hard to sell a movie without using top scenes, but I always feel a little ripped off when the movie spends 10 minutes setting up a scene that I've already seen 20 times in previews. And if you figure out the 10 minutes of build up is going to end with that already spoiled punchline, it can make that 10 minutes very boring. I'd even go so far as to say that in some movies it can interrupt the flow, which is an unfair thing to do to a good movie. The best compliment I can give this particular movie is that even with some top moments spoiled in advance, I still laughed at the spectacular execution of those moments.
Overall I liked this movie. I went in expecting a funny and well-acted movie and that's exactly what I got. I laughed and walked away smiling, and that's worth my ten bucks.
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