Monday, September 21, 2015

Fall TV 2015

 New TV Shows are starting.  They are STARTING, people! If you are lost, and need some Primetime direction - I'm here to help.  Here is my take on the new fall offerings and if there is enough there for my household audience of 1 to tune in.

MONDAY


Life in Pieces - There is one reason to like this show: the cast.  James Brolin, Betsy Brandt, Colin Hanks, Dianne Wiest and my Newsroom crush, Thomas Sadoski.  I'm not really sure about the rest of it.  I did chuckle at the previews and I'm all for the zaniness of big family life.  Most critics say Modern Family already IS this show AND does it better.  I say Modern Family sprinkled with a dash (and just a dash) of Parenthood makes it all the more likeable.  I'm going to try it out.  DVR the premiere.

Supergirl - I am a bit curious about the first female superhero to hit primetime since Lynda Carter dazzled us with her gold lasso 40 years ago. I don't watch The Arrow or The Flash, the creators of which - created this.  So, my curiosity was only piqued.  My curiosity turned to general interest with Calista Flockhart (Ally McBeal, Kitty Walker - will her character name end in y?!?).  And then, just because I LOVE him, general interest turns to genuine intrigue with Jeremy Jordan.  I liked Melissa Benoist on  Glee, I'm not sold on her as Supergirl.  DVR the premiere.


Blindspot - Marketing is calling this one a thriller.  Is it really?  Woman left naked in a bag in Times Square, her body newly covered in tattoos and having supposedly been dosed with an amnesia inducing drug - definitely has some mystery elements.    The tattoos help solve mysteries.  This whole premise seems like Prison Break 2.0, and Wentworths Miller's tatted body was so much more appealing to me.  I do believe there is a place for this one with the masses and many, many may may like it.  It has a lot of buzz, but I'm going to skip it.

Minority Report - If you saw the Tom Cruise movie from years ago of
the same name about a police unit in the future that stops crimes before they happen, then  maybe you will like TV version, or not.  I did see the movie and didn't hate it, but the convoluted nature of this world is too much for me and I can't imagine how it will work for TV.  The words "genetically mutated psychics" make this an automatic NO for me.   But, Steven Spielberg did produce the movie, so there is a sci-fi appeal in there somewhere.  I'm going to avoid it.

Crazy Ex-Girlfriend - In this show there is singing.  Not like pop culture hits on Glee singing, but like musical, break into song and dance-large production numbers-original song singing.    The premise of a successful Manhattan woman dropping everything and moving across country to West Covina, CA to pursue an old childhood crush puts the Crazy in the title. While in reverse directionally,  Felicity did something similar (okay, the exact same thing) and I really loved how that played out.    After watching the trailer  and not being able to look away from its combination of awesomeness and trainwreckishness - I'm watching it.  I'm DVRing the whole series.  Its weird and it might not last long.  But, I love the broadway community and it feels broadway.  Rachel Bloom, the creator/star, IS broadway.  What is broadway doing on TV?  Can it work?  Maybe not, but I'm going down with the crazy ship!  DVR the series.

TUESDAY



The Muppets - Why are there so many shows without Muppets?  Muppets make everything better!  I can't wait for this one.  I found this summers 'news' that Ms. Piggy and Kermit had broken up and the accompanying statement delightfully entertaining.  A-list guest stars will abound as everyone loves these fuzzy friends.  If I could only watch one new show, this would be it!  The lovers, the dreamers and me (and ABC!).  DVR the series.




Grandfathered - John Stamos..with a baby.  Let me repeat...John Stamos with a BABY!  Does that sound appealing?  Yes, it sounds appealing, but, alas, it is not.  I want to like this show, I think John Stamos should always be with babies, but I don't.  I like Paget Brewster, but not in this.  I have watched every clip available and every review I could find.  Its just not a good show.  Some might be blinded by trying to decide who is cuter John Stamos OR the baby, and they will likely enjoy this.  But, as much as I want to, I just can't.  Skipping it.



The Grinder - I initially didn't really have an interest in this one, but the previews are funny.  And the premise is funny and the location is funny and the cast is...well, funny.  Rob Lowe plays an actor who played a lawyer on a long running procedural called The Grinder. When it is over, he decides to move home to Boise, Idaho (Yup, Boise, Idaho) because he has decided he should be a real lawyer and join his brother and father at the family law firm.  Fred Savage plays the real attorney, younger brother, who is none too excited for his shiny brother to invade his world.  Rob Lowe and Fred Savage are so cute and enjoyable, and really this show looks so funny.  DVR the premiere.




Wicked City - ABC's answer to True Detective, this anthology series (each season will follow a different fictional case in LA) follows all the participants in the serial slashings of party goers in the early 1980s.  From the Killer to the the Detective to the reporter and the Paparazzi - everyone is chronicled.  Ed Westwick (Chuck Bass!), Erika Christensen (Julia Braverman!) and even Jeremy Sisto intrigue me, but not enough for me to want to enter the gritty crime world of the early 1980s.  Not for me.  Skip it. 




Best Time Ever with Neil Patrick Harris - This one premiered last week and I watched.  I think NPH is a charming and natural host.  Clever and funny and musical and a magician, the idea of this variety show is SUCH a good one. The first one was incredibly frenetic.  NPH crammed so much in an hour - that my head was spinning.  Reese Witherspoon was enjoyable as the first celebrity announcer.  Nicole Scherzinger as his second in his command is a yuck.  Funny at times, not at others, it is disjointed all the time.  I still have hope for this craziness.  And it does make me smile just watching NPH's delight at doing the program at all.  I'm sticking it out to see if it works out the kinks.  DVR the series.




Chicago Med - If you watch Chicago Fire or Chicago PD - this one is for you.  I don't.  I have such blinders on and disinterest in this Dick Wolf franchise, that I could hardly read about it.  It appears to be standard Medical show fare.  Chicago ER and doctors handling cases from Fire and PD (I think).  Oliver Platt and S Epatha Merkerson are in it, which is a good thing.  But, I just can't make myself be interested in it at all.  Not for me. Skip it. 



Limitless - I loved the 2011 Bradley Cooper movie.  And he shows up to introduce the TV show to NZT, the pill that made Bradley Cooper the smartest man in the world in the movie.    I like Jake McDorman as the lead taking the pill.  I'm interested to see how they move the story to TV.  It looks good.  I would probably watch it no matter how it looked, as I just really liked the movie so much and it says something the Bradley Cooper is showing up to pass the torch (and Executive Produce).  DVR the premiere






Scream Queens - Ryan Murphy is at again.  Weird and buzzworthy, this show brings slasher movies and college sorority movies to the small screen all wrapped together in one.  Someone is killing people at Kappa Kappa Tau!  I have no doubt, Murphy and Co will bring the best out of the genres and parody it all with cleverness, humor and trashy perfection.  If this kind of stuff is for you, you will love it.  This kind of stuff - killing - slasher movies - sorority sisters -  is NOT for me.  If Lea Michele, Jamie Lee Curtis, Abigail Breslin and Emma Roberts can't pull me in, nothing can.  No Way.




WEDNESDAY



Code Black - As I have very little enthusiasm  for yet ANOTHER medical drama - as evidence by my lackluster interest in Chicago Med, this show started on my 'No Thanks' list before I even read a thing about it.  BUT....now if I could only watch 2 new shows....this would be number 2.  A 2014 documentary about LA Memorial Hospitals ER called Code Black was the inspiration for this fictional telling of the grittiness of an LA ER.  With Marcia Gay Harden and Luis Guzman at its center, this looks like the best of all the medical show worlds.  More medical than drama, I am beyond intrigued.  I am IN.  DVR the Series.





Rosewood -
Set in Miami, this forensic pathology procedural is centered around Dr Beaumont Rosewood, Jr - who has a heart condition that could end his life at any moment.  As a result 'Rosie' as he is called is both an extreme optimist and risk taker.  Since he has nothing to lose, this medical examiner could be the first entertaining one since Quincy.  But, somehow, I'm not interested.  After watching previews and reading reviews, this series seems very ho-hum.  Plus, Miami has never been a draw for me on the small screen.  Skip It. 


THURSDAY







Heroes Reborn
 - I watched the first season of Heroes - before it got too crazy and I liked it.  And this series is supposed to be more of that first season of Heroes goodness - where different characters are finding out they have powers and figuring out what to do with them.  Plus, I LOVE Zachary Levi.  Love. Love. Love.  I'm not sure it will keep my attention as I'm not that into super heroes or fantasy and I couldn't stick it out with the first series.  But, its definitely worth a shot.  DVR the Premiere.





The Player - Wesley Snipes is The Player.  Super Rich gamblers bet on whether or not The Player, with help and intel from The Dealer can prevent a crime predicted by a super amazing algorithm.  That sounds convoluted.  That sounds like the network but something flashy and high concept together as vehicle for  to show up on TV.  It could be interesting.  I like Wesley Snipes.  But, I'm not that into gambling or TV Thrillers.  I'm out. (Shark Tank fans, see what I did there?I'm so very clever.)




Angel From Hell - Don't get me started on how much I dislike the print poster (yes, the one appearing next to this).  But, Jane Lynch is funny.  I find her acerbic deliveries delightful. That works for this show about a Guardian Angel - who seems to do more trouble than good and be more annoying than helpful.  Maggie Lawson is great.  And while, I wasn't all that jazzed about it to begin with, the show looks funny.   I'm just not sure how long it can STAY funny.  DVR the first few.  




FRIDAY




Dr Ken - Ken Jeong is funny.  I enjoyed him on Community and in the Hangover movies.  And, yes, he used to be a real doctor.  But, no I don't think trying to put Ken Jeong the funny guy with Ken Jeong the Doctor Guy together on sitcom TV is a good idea.  This idea is a real clunker.  And as much as I hate to say this,  when I see Dave Foley show up on network TV, it is not a good thing.  He IS the 90s for me.  His humor and delivery only seem to be funny to me in the 90s.  This show is on most lists for guess for the first cancellation of the season.  The Doctor is Out on this one.  





Truth Be Told - Having already gone through a last minute title change from People Are Talking (seriously is one actually better than the other?!), this show holds no appeal for me - save one: Mark-Paul Gosselaar.  He will always be Zach Morris to me.  He plays Mitch - who with his wife Tracy have neighbors/best friends that are of a different race  - so they can talk about all sorts of taboo topics - including racism.  Ugh.  Friday Night was made for Clunkers.  Skip it.



SUNDAY


Quantico - I had a real interest in this one.  For a minute.  In the premiere, a terrorist blows up Grand Central Station in NYC and FBI discovers that someone from their training facility, Quantico is behind it.  The prime suspect is Alex Parrish who goes on the run.  A thriller, a soap opera, a twisty goodness, all with a not awesome portrayal of a Mormon Quantico resident - which is off putting for me.  Its very well reviewed and recommended, but the more I read about it - the more soap opera-y it sounds, which should sound enticing to me.  But, I feel like my TGIT - Shondaland Thursdays fill my quota for this fare.  So, I'm not planning to try it out.  If I'm at someones house and its on TV and I happen to catch it and get sucked in - I'll probably be in for the long haul.  So, I'll be avoiding it, cause I don't need anymore of these.  I really don't.  Skip it. 



Blood & Oil - If Quantico is a current, twisty soapy drama, Blood & Oil is a flashback soapy - Dallas-esque un-necessary - Don Johnson is better than this - vehicle.  Everyone is flocking to fictional Rock Springs, North Dakota to make their fortune in oil.  The working class guy, the Baron, the family guy.  A small town is over run by big city life chasing oil.  A western and Soap.  Dallas, I'm telling ya - its Dallas.   But, the reviews say - that unlike that predecessor - its shows more than the upper class of excess - it shows the oil-field workers and middle class - all wrapped up in small town soapiness.  Nope. Nope. Nope.  





There you have it friends.  Happy TV Watching.  Enjoy my annual TV Grid and go find a good TV Premieres calendar.  www.tvline.com has a great one.




Saturday, February 7, 2015

Annie - Everything Old is New Again

Look at what we're dripping with...little girls


I've seen the new Annie movie twice now, and I've been struggling with how I feel about it.  Which is odd, but I'll get to that in a minute.

In general there were some good and bad points.  I'll cover some more in depth later, but a quick run down.

The bad

 - The Auto-tune.  Holy cow, it was horrendous at times.
 - Cameron Diaz in general.  I'm not sure what she was going for in this performance.  While there were times I was OK with it, the majority of her performance was terri-bad.
 - The Auto-tune.  Yes, it was bad enough to get a second entry.
 - Changing the songs.
 - The role of Guy.  While I think Bobby Cannavale did a fine job, the whole role was written like a Rocky & Bullwinkle villain.

The good

Some of the best pieces of this movie
 - Changing the songs. (I know, it's on both lists.  Bear with me)
 - Quvenzhane Wallis
 - Jaime Foxx
 - Everything about MoonQuake Lake - the movie premier Annie attends.  Such cheese.
 - The various nods to the original 1982 Annie.
 - That they managed to keep Willow Smith out of this.



So How About a Review?

I mentioned that I was struggling on how much I like the movie.  Here's why.  If you watch the movie through the lens of the 1982 version you are going to see an entirely different movie than if you judge this movie on its own merit.  I'll admit to being a bit of a fanboy of the 1982 movie (It's probably worth mentioning that by all accounts the 1982 Annie isn't universally loved.  But I don't care, it has always been a movie I love).  And when I first the movie (with my son) I was very much comparing each point of the movie to its predecessor.  The second time I saw it (with my youngest, Denise), I deliberately avoided doing that.  Well, as much as I could.  And I came away the first feeling the movie fell flat, while the second time I walked out feeling I'd watched an eminently enjoyable movie. So I'll talk about the points of the movie that stood out, and I'll mention the biggest differences for me in each.  Note that the differences between 1982 and 2014 are not bad, just....different.

Annie - The role of Annie was a real highlight of the movie to me, and it all comes down to Quvenzhane Wallis.  What an amazing young (11 years old!) actress!  Her portrayal of Annie was so strong.  Throughout the movie, she kept a smile on her face.  I felt that you could feel her optimism jumping from the screen.  Annie's toughness was sharply contrasted by her moments of vulnerability, both depicted with keen precision.  Quvenzhane Wallis put her stamp on this role, and turned in an A+ performance.
The differences - Quvenzhane Wallis did a good job at the singing, but never felt as comfortable or as strong as Aileen Quinn did.  I also struggled with the manner of showing Annie's "street smarts", with her asking Stacks "What's the hustle?".  That seemed a bit off for an 11 year old.  I rather enjoyed the manner that she was focused on her parents; rather than focusing solely on the a locket they added a ritual with a restaurant that served to both deepen the sense of Annie's determination to hold on to hope and provide some great original scenes to the show.

Breakfast with Stacks (and Sandy)
Will Stacks/Daddy Warbucks - Another great piece, mostly because Jaime Foxx brought some serious acting chops to the movie.  He was just entirely believable in this role, effectively selling the eccentricities of the character in a way that never left me feeling that those traits were anything but a core piece of Mr. Stacks.  Too many times I've seen a character portrayed as a germaphobe and had it feel like an addition to a character, rather than a part of it.  No issues with that here.  And his singing was great, though I really wish they'd dropped the Auto-Tune.
The differences - I didn't struggle with any comparisons between Will Stacks and Daddy Warbucks, mostly because I didn't feel that two characters had anything in common aside from ending up with Annie.  I think that it would have been nearly impossible to give us an updated version of Daddy Warbucks without bringing the Warbucks part along - that bringing in the original anti-war profiteering message would not serve well in this movie.  Making him instead a business mogul, completely isolated and solitary worked quite well.

Ms. Hannigan - Ouch.  This one hurt to watch.  I don't know what Cameron Diaz was going for.  Every word and every action was hammed up so badly, it was literally hard for me to watch.  I may have even turned my head away once or twice to alleviate the pain - and that's never a good sign.  I just simply didn't click with this character.
The differences - The character of Ms. Hannigan suffered the most in the comparison to the original for me, because Caron Burnett's version was so memorable.  Maybe the only thing I liked about the "new" one was that they made her a failed 80s rocker that came oh-so-close to fame.  Then they mixed cheesy 80s music video moves - and sounds, in some cases - into her songs, which was entertainingly funny.  They more aggressively try to redeem her character, which I guess is okay.

The music - Full disclaimer that many reviews out there pan the music pretty thoroughly. 

Annie singing "Opportunity" - a real high point
I like the music, at least once I stopped waiting for the original music to start.  I liked the original movie music quite a lot.  And some of the songs were completely changed (I Think I'm Going to Like it Here, Little Girls) while others were just slightly altered (Tomorrow, Maybe, Easy Street, I Don't Need Anything But You) or just removed except for some Overture or background instrumentals (Sandy, Dumb Dog, You're Never Fully Dressed Without a Smile, Let's Go To the Movies).  But they added a few songs that I really liked (This City's Yours, Opportunity, Who Am I?) and the changed to the other songs worked for me.  They seemed to fit. 

Once I listened to the songs on their own I realized how much I liked them.  Opportunity and Who Am I? are awesome.  Maybe still evokes strong emotion (and maybe some tears) for the girls.  Tomorrow is used in a completely different scene (It would be hard to do it with FDR), but it is great.  Watching Annie see reflections of people with children, only to have the reality come into frame with objects that are not kids drives home the worldview of Annie and the optimism of the song.  Annie's part of Who Am I? hit me like a truck, with the facade of courage breaking down into self-doubt.  And who can't relate to the line "I want to start again" or who hasn't felt "I don't know who I've become" at some point?  So while I realize that the music was not universally liked, I loved it.  A lot.

The movie - It's easy to focus on where the movie came up short.  It tries to be original but holds on too much to the original movie to ever stand completely on its own.  The role of Guy was just horridly shallow.  He should have worn a shirt that said "Bad "Guy"" on it.  There are two noticeable parts where the editing breaks the story flow a bit by jumping the story somewhat. 

But the bottom line for me is that they made a movie I'd see again.  They got the right stars, gave me music I loved (and am listening to as I type this), and modernized the plot in a believable way.  Quvenzhane Wallis and Jaime Foxx own the screen when they are on, and Rose Byrne was quite impressive as well.  Locations were chosen well, showcasing NYC quite well.  So I wasn't sure how much I liked it at first, but that was my fault.  I should know better than to walk into a movie with firm expectations.  When I judge this movie on its own merits, I am very satisfied.

Final rating:  Tomorrow isn't perfect, but it's looking pretty bright.


Wednesday, October 15, 2014

The Evolution of Advertising and Pop Culture

Note prior to publishing:  Holy cow, this ended up longer than I ever dreamed.  Feel free to skim it for exciting words (and then feel free to be vastly disappointed at the lack of exciting words or content).

I've been thinking a lot lately on how we get our TV.  We all know that TV advertising is how shows make money, how they stay on the air and pay their actors.  But as print media has declined and online media has exploded, things are changing.  So, today I write about that.


I love a good commercial, which is to say I hate 95% of the commercials on the air at any given time.  But the funny or clever ones are always a blast to see.  The problem with actually liking some commercials is that I have switched to a DVR-heavy TV watching pattern and as such I end up missing many commercials.  This is not uncommon - although broadcast media still has the highest reach of all advertising platforms, in 2012 live TV viewing decreased 2% while DVR viewing increased 8% (source).  And that number changes significantly when broken down by age group - older audiences are largely more likely to watch live TV than younger audiences.

This brought me to a panic moment.  Could we be in the beginning stages of a TV meltdown?  We saw it with newspapers, magazines, and bookstores.  Twenty years ago, nobody seriously believed we'd see such drastic changes in those industries.  Is it possible that TV is next?  Could DVR recording kill the material from which is records?

Maybe, but probably not.  Everything I have read leads me to believe that what we are seeing is an evolution in advertising, but that scheduled TV will remain largely unchanged.





I think it is natural for advertisers to look at the DVR fast-forward button as their natural nemesis.  In 2004, 75% of "large national advertisers" said that they were planning on cutting back their televised advertising as a direct result of DVR usage (source).

An amazing report (same as cited above) from Boston University disagrees on the nemesis approach.  It concludes that fast forwarding through commercials can still create "brand memory" even with a 95% reduction in frames and no audio - as long as the brand information or product is centered on the screen.  The report calls out how even though DVR fast-forwarding has a negative impact on historical advertising outcomes, making changes to the method of advertising can still return positive results.  It cites how commercials used to base brand focus (ie, putting the brand on the screen) based on movement on the screen, since it was proven to draw the consumers focus the spot of the movement.  The report suggests that simply modifying brand placement with the expectation of the commercial being forwarded through can return good results.  (Seriously, the report was very cool).

This document was published in 2008.  Surely if this was effective, it would have started to spread to advertising, right?  To find out, I watched a few commercials with the report in mind.  It's amazed me how well advertisers are putting the brand or product on the screen.  One example was a Subway ad.  The actors were talking about staying fit for Halloween, and then were magically appearing with various costume suggestions.  While the actors moved around and changed outfits, there was cup in front of them.  It was subtle - certainly the brand was never the focus - but at all times it had "SUBWAY" near the middle of the screen.  Of the other 6 commercials I watched, 3 of them had a deliberate brand presence near or at the center of the screen for the entire commercial.  1 was a car commercial, and the other two featured Samuel L. Jackson and Tina Fey.  And if you guessed that their faces were framed in the middle of the screen the whole time, you were right!  I guess they are counting on "star power" to grab your attention instead of the logo or product.

Reading that report has had an unexpected side effect:  I'm finding myself so very much more aware of branding and technique in commercials.  As I see a commercial, I'm evaluating where they are putting the brand, when they have people or objects moving about on the screen to draw my eye, and how companies are approaching their sale.  It seems perfume and cars are the most stuck in the past.

Embedding:  Big enough to be parodied



Moving away from commercials and into a different form of advertising - embedded marketing. Obviously, this has been around for a long time.  I love watching old game shows, and I always laugh as the host moves into a commercial for whatever product sponsored the show.  That was the early commercial - "brought to you by..."  As time moved on, embedded advertising became a bit more subtle and commercials took up the banner of "blatant advertising".  But they have always been a thing.

These days, embedded advertising is a big piece of the puzzle in a show making money.  With advertising rates declining, there has been a squeeze on marginal shows.  By marginal, I mean either aging shows with declining viewership or shows produced on a tight margin.  Two examples of that are Bones (declining) and Rizzoli & Isles (tight margin).  Those shows
Bones ratings in decline

I recently watched an episode of each of these shows.  And each had an example of extreme product placement.  On Bones, Booth and Brennan were driving down the road when a loud noise filled the car.  Booth asked what it was, and Brennan explained how the all-new Prius has lane assist, with warnings to keep you from wandering from your lane!  On Rizzoli & Isles, when arriving on a crime scene, Rizzoli's brother had them all get into a car (I forget which one) and toured the crime scene while featuring the smooth ride and rear-view camera.  It was hilarious.  Click here to see a great compilation of product placement.  What's funny is that while some of the placements in that video are pretty blunt, I know that there are a couple of those that I would not have noticed while watching.  The car ones in particular; when the car comes screeching to a halt immediately in front of the camera and boldly frames the car logo front and center.  Speaking of cars, the next time you are watching TV I want you to pay close attention if somebody in your favorite show is driving and they show him/her in an interior shot.  I think you might be surprised at how many times optional features of that car somehow make it into the frame or narrative.

In fact, I could use a cool, refreshing Coke right now

There's nothing with product placement/embedded advertising.  If it keeps shows I like on the air, I'm all for it.  Then I read about a company called Three Lions Entertainment (source) and other like it.  According to the sourced article, they seek to develop "specials and reality programming to push products, which tends to be easier than telling scripted showrunners to write a story about Pepsi or Justin Timberlake's new album.  The company will also create web-based content that also feature the products".  Even better, the investor behind that company is also involved in Relativity Media (movie studio), controls Soho House (private member's club primarily for those in arts and media), and has a controlling interest in Artists Group International (concert promotion).

The future of embedded advertising - a show or reality program on TV that start members of the Soho House (or their clients) while featuring a new movie by Relativity Media and playing songs from whatever AGI artist is starting their national tour.  And of course you'll know about this new TV show by it's targeted flood of web advertising.  Truly a case of the tail wagging the dog.

So, that's a bunch of stuff, and I didn't even cover a few of the things I found.  But I find all of this fascinating, the way our content is delivered.  One thing is for sure, in 10 years this will all have evolved again, and I'll be writing about how different things are again.  Or I'll be dead.  Either way.








Monday, October 6, 2014

Music From A Work Day, Finale

A quick final recap of the music.

  • 28% of the artists were present on both day, but they accounted for 50% of the songs.
    • Pandora correctly identified artists I liked (or I did) and steered their music to me.
  • 60% of the artists were present only on the second day, but only 40% of the songs.
    • Pandora presented a wide range of artists at one song per pop.
  • The order of preference for style:  Comedy Song (35.19%), Radio-ish (31.48%), Folk-y and Musical (12.96% each) and Comedy Routine (7.41%)
    • No surprises here.
  • Radio-ish is the category with the most new stuff and with the most songs/artists from the first day that did not repeat.
    • Also worth noting:  I imagine this category has the widest selection of artist/song available
  • Comedy Song had the most artists/songs that appeared on both days.
  • Musicals were only on the second day, which is odd considering the channel was seeded with a musical and a comedy album.

I see that the things I listened all they way to or liked greatly influenced what I heard.  Comedy songs were steady, while I heard the greatest variety of Radio-ish songs.  I believe this is because those are the songs I would end early or dislike the most.  I still got a large number of them - but they were different as Pandora tried to figure out what I like.  It's odd that they were at all; I can only imagine that I selected a few as favorites early on and altered the underlying algorithm.

I don't know if any of that is interesting to anybody out there.  I just know that I find it interesting.

As I was trying to see how my music has changed, I started thinking about how our choices and behaviors online/on TV/on DVR/on our phones influences the things we see.  This led into a long couple days of web searches about the value of live advertising and how native advertising is influencing everything from ads to videos online to what shows are getting picked up every year on TV.  So I'll write about that next.

Monday, September 29, 2014

Music From a Work Day, Part 2


Moar music!

Friday, I recorded the Pandora music as planned.  It ended up being a particularly good day for it, since I was covering for our early shift and had a bit more time to listen to music than I would consider normal.  Fair warning, it's long AND I ramble at the end with additional commentary.  So, without further ado, my list:

  • Matchbox Twenty - Back 2 Good
  • Louis CK - Fat Guy Problems (comedy routine)
  • Everclear - Wonderful
  • Killers - Romeo And Juliet
  • Tenacious D - Kickapoo
  • Wicked Original Broadway Cast - Dancing Through Life
  •  Simon & Garfunkel - Kathy's Song
  • Flight of the Conchords - Inner City Pressure
  • Beatles - Let It Be
  • All-American Rejects - Swing, Swing
  • John Mulaney - Female Heist/Delta Airlines (comedy routine)
  • Simon & Garfunkel - Sounds Of Silence (live)
  • Anthem Lights - Best of 2012 Pop Mash-Up
  • Flight of the Conchords - Carol Brown
  • All-American Rejects - Swing, Swing
  • The Offspring - Trust In You
  • Crosby, Stills, Nash and Young - Teach Your Children
  • Louis CK - Time Machine (comedy routine)
  • Mandy Moore - When Will My Life Begin (Tangled)
  • Les Miserables Original Broadway Cast - Finale
  • Tom Lehrer (hooray) - The Elements (comedy song)
  • Weird Al Yankovic - Virus Alert
  • Cake - Mahna, Mahna
  • John Denver - Rocky Mountain High (unplugged, live)
  • Miss Saigon Original Broadway Cast - I'd Give My Life For You
  • Rent Original Broadway Cast - Without You
  • Shrek Original Broadway Cast - This Is Our Story
  • Tom Lehrer - When You Are Old And Grey (comedy song) 
  • Mary Poppins Motion Picture Soundtrack - Chim Chim Cher-E
  • Simon & Garfunkel - Only Living Boy In New York
  • John Denver - Rocky Mountain High
  • Steven Lynch - D&D (comedy song)
  • Christina Perri - Human
  • Weird Al Yankovic - Polka Power
  • Fun - We Are Young
 Whew.  Congratulations for making it this far, I wish I could award an achievement for making it through that list.  Oh wait, I can!


As I've been working on this, I've been reading up a bit on targeted advertising.  It is an interesting thing, very interesting.  I am vaguely planning to write about that once I finish wrapping my head around the comparison between lists.

Now, I can't begin to wrap my head around this without some analysis.  If you work with me, you probably saw that coming.  I'll get working on that post it in Part 3.  Which may actually talk about something interesting, rather than list music I listen to.

But probably not.


Thursday, September 25, 2014

Music From a Work Day, Part 1

Music From a Work Day, Part 1



One of the (many) things I love about my job is that when I begin to work on a project, I can throw on some headphones and listen to Pandora (or Spotify/Grooveshark/AOL Radio) while I dig in on anything that requires serious thinking.  While I certainly have a predilection for Pandora, the others are always a viable alternative.  About a year ago, I randomly took note of the songs that came up during the day.  Today I was boxing up my desk and I found that list. Being the ever-curious type, I have decided to make a comparison.  I shall write the songs that I heard then, and tomorrow I will take note of the songs I hear and post them here.  Then I'll try to see how my evolving music selections on Pandora have altered the music I am being presented with.

I am listening to the same channel today that I did then - it's titled "Musical/Comedy" and was seeded with the Wicked Original Broadway Cast album and Weird Al Yankovic.  Please note that on my list, for comedy entries I seem to have mostly recorded "Comedy Song/Routine" rather than what it actually was.  Too bad.

On a slightly unrelated note about preferences influencing what you hear (and yes, this whole thing may eventually devolve into observations on how our choices affect the advertising we see), months ago I briefly listed to a Spanish Music channel.  For about an hour.  One time, one day.  Since then, every time Pandora gives me an ad featuring alcohol, it is in Spanish.  Only alcohol, but it appears to be ALL the alcohol ads.  The one I hear the most is for Bud Light with....ugh....CLAMATO?  How the heck did that happen?  On to the list!

  • Sarah McLachlan - Fallen (live)                                      
  • Tom Lehrer - Comedy Song
  • Simon and Garfunkel - Sound of Silence (live)
  • Glee Cast - Animal
  • Steven Lynch - Comedy Song
  • Flight of the Conchords - Business Time
  • Taylor Swift - Today Was a Fairy Tale
  • Weird Al - When I Was Your Age
  • John Mulaney - Comedy Routine
  • Tenacious D - Wonderboy
  • Tom Lehrer - The Elements (Comedy)
  • Steven Lynch - Comedy Song
  • The Beatles - Come Together/Dear Prudence
  • Tripod - Comedy Song
  • John Lennon - Imagine
  • Glee Cast - Silly Love Song
  • Tenacious D - Dude
  • Weird Al - Ode to a Superhero

Well, that is interesting.....to me, if to nobody else.  My first impression would be that I hear more musicals and soundtracks, possibly a bit less comedy, with about the same amount of radio junk.  I'll tell you after tomorrow.

By the way....have you heard of Tom Lehrer?  He is a comedy/satirist/mathematician who was active from 1945 to the early 70s.  I love his stuff.  It's all horribly dated, of course, but entertaining.  It is interesting to hear his often comedic songs that occasionally feature him interacting with his audience before the song begins.  I have heard him casually refer to the death of Winston Churchill, the push to teach different numerical bases instead of base 10, World War 2, and many other things.

Then he sings about poisoning pigeons in the park.  You should give him a try for something very different.

Monday, September 22, 2014

Fall TV is Here!



Fall TV is here!  Happy Premiere Week!  Here's my take on all that is new and my Prime time scheduler.

New Comedies:

Selfie:  This pilot is available on Hulu, and I watched it.  I wanted to love it,but I didn't.  The vomiting in the first 5 minutes of the show set it off on the wrong foot.  The problem is, I still want to like it and I'm still going to watch it.  John Cho is so charming.  I like that it is (loosely) based on My Fair Lady.  And while I get why it is named 'Selfie' - and this doesn't really go down in the Cougar Town hall of fame for bad titles, the title conveys no heart - and is much more Eliza than Henry.  And all I want is Henry.  Despite the title, I'm going to DVR it.


A to Z:  This pilot is available on Hulu, and I watched it.  I wanted to love it, but I didn't - almost, but not quite.   It does seem to be HIMYM 2.0, with all the whimsy, romance, destiny talk and the cast: Cristin Miloti and a pretty good Ted Mosby impersonator in Ben Feldman.  Stu (the Barney character) is icky, gross and yucky - without NPHs charm, and is just distracting from the likable leads.  I can't wait to meet the Marshall and Lily.  DVR, watch live if I can.


Marry Me:  From Happy Endings Creator - it seems if you liked Happy Endings, you'll like this, they are very akin.  Acomedy about the challenges of pairing up - not so original, but I like the stars, Ken Marino and Casey Wilson.  DVR it.

Manhatten Love Story:  The gimmick is ...we get to hear the thoughts of two people dating!  We get to hear (via voiceover) the subtext of every weird encounter, every awkward silence, every everything.  I'm not sure I want to hear all that, and the commercials don't even seem that funny - plus- I'm not in love with the leads - Analeigh Tipton and Jake McDorman.  It seems a snoozefest for me.  Skip it.



Black-ish:  Now this one IS going in the Cougar Town bad title hall-of-fame.  I hate the title.  Is it offensive, a little?  Would we be okay with a show called 'White-ish' with an all white cast?  (Thanks to E for that pondering moment) - Um. no.  As far as the show goes though, it looks funny.  I think Anthony Anderson is really funny.  I'm not the target demographic for this show, but I'd watch it if it was on.  Flipping Channels night only.


Bad Judge: I like Kate Walsh.  I like her in Shonda Rhimes dramas.  When I first saw the ads for this one, I thought it WAS a drama, but its not.  Half hour comedy.  Which makes me go, hmmm.  She's an irresponsible, but unconventionally effective judge.  Hmm.  This show has been horribly reviewed, but they apparently changed up the pilot a lot and it is maybe better?  One of the changes was a recast of a character to Ryan Hansen from Veronica Mars - they may be on the right track. I'm mostly curious.  DVRing the pilot.

The McCarthys: This show has an interesting cast.  Laurie Metcalf, Joey McIntyre and Tyler Ritter.  A New Jersey family obsessed with sports, with a newly 'out' gay son.  None of that seems to say 'this is a show for me!' And - its been reviewed as sub-par material for sensational Laurie Metcalf.  I'm still intrigued.  I'll try one, if its on.  Flipping channels night only.


Cristela:  A comedienne gets her very own show! (Has that ever happened successfully?)  A semi-autobiographical tale about a legal intern balancing work and family in Texas.  I have no idea if Cristela Alonzo is funny.  She might be, but this show is on Friday, and I just haven't seen anything to interest me here.  Skip it.


Mulaney:  A comedian gets his very own show!  (Has this ever...wait, a few of these have really worked).  It even opens with a stand up segment (ala Seinfeld).  In real life he was an SNL writer, in this fictional world, he is newly hired to write for a game show.  I have no idea if John Mulaney is funny, but I'm more interested in this premise.  I would watch it if it was on.  Flipping channels night only.






New Dramas:


Madam Secretary:  I watched the pilot last night.  Tea Leoni is great!  The show is still figuring itself out.  It was too much for me to have the side 'Company' is out to kill people sub-plot.  The rest of the show was good.  Please find more to do with Bebe Neuwirth.  Please.  She is amazing.  I love me some Tim Daly.  I will watch it while it figures itself out. Its a work in progress, and I have hope.   DVRing

Gotham:  Super hero origin story!  I had little interest in Marvels Agents of SHIELD, but I have a small interest in this.  Love Ben McKenzie (I heart The O.C.) and do have some curiosity about the introduction of well known villains, before they were the bad guys.  The look of it is intriguing as well.  I never stay long at the overly complex, involved stories - but, if I can tell whats going on, I might stay at this party.  DVR the pilot.



Scorpion:  Four super high IQ techies, a super high IQ kid and his mom who translates life to them all while cracking some tough government cases.  Its The Big Bang Theory meets CSI (wait - its the REAL CSI-Cyber).  Reviews say the pilot is dumb, but the show may be worth watching.  I love when American Idol alums succeed.  DVRing






Jane the Virgin:  The second entry in the Cougar Town hall of fame for bad titles.  I hate this title, because it makes me not want to watch the show.  And after forcing myself to watch the trailer and read up on it - it could be a good show...but wait the premise is horrible too.  A faithful Latina is mistakenly inseminated during an OBGYN checkup.  Its a remake of a Venezuelan hit ( a la Ugly Betty).  Word on the street is they seem to be respectful of faith and chaste choices - this is good.  It is well reviewed overall.   It looks well-made and solid.  The premise seems eye-roll worthy, but it could be good.  I MAY DVR the pilot.





State of Affairs:  Her off-screen antics and Diva reputation aside, I like Katherine Heigl and I welcome her return to TV.  I'm not sure this is the greatest vehicle for it.  She is a CIA Analyst whose main role is to brief the President (played by the amazing Alfre Woodard).  I like a female President, one review I read said the pilot had a Shonda Rhimes-worthy twist, which makes me curious.  The reviews of this show are all over the place, many hate it, some really like it.  I'm going to try it out.  DVRing






The Flash:  I don't watch Arrow, from which this is a spin off, but its supposed to be good.  Good enough for me to watch?  Probably not, as my super hero quota is met with Gotham.  I enjoyed Grant Gustin (Barry Allen aka The Flash) on Glee.  The buzz is good.  If this is your type of thing, this is probably very watchable.  I'm going to Skip It.

Forever:  Every time Dr Henry Morgan dies, he's reborn naked in a nearby body of water.  He's therefore been around Forever and will be around Forever.  Get it?  He uses his extensive medical knowledge from being around so long to solve crimes.  Ioan Gruffudd is the lead.  I loved him in Amazing Grace.   Because of him alone, I want to try this out, but I'm not sure the dying won't grow old quickly.  DVR the pilot.

Red Band Society:  I saw this pilot when it aired last week.  The Fault In Our Stars meets the Breakfast Club as seriously ill, but talented and witty kids live together in a hospital ward.  Octavia Spencer, Dave Annable and Griffin Gluck are the grown ups running the place and influencing them.  I had middling expectations, but ended up loving the pilot, where I laughed outloud and got a little weepy.  I read a review that called this - where the Glee kids go when they get sick.  It does have Glee feel to it.  And I like Glee.  I loved this pilot.  DVRing.  Watch Live, if I can.

The Mysteries of Laura:  Debra Messing is better than this.  She has to be.  So is Josh Lucas. This show is YUCK.  I watched the pilot last week.  She's a cop, who is also a MOM (of twin terror boys).  Whoa.  That's tricky.   I like Debra Messing, and the show is trying to utilize her comedy chops and be a true dramedy, but it doesn't work.  Its very blah.  Based on its huge numbers, it might be around for awhile.  I'm hoping it was just because there was nothing else on and when real competition hits this week - it will go where bad dramas go to die.  Sorry - I would like to see her on TV in anything better.  Skip it.  (Though I watched the pilot!)

Stalker:  CBS is really trying to keep the Criminal Minds crowd around for another hour.  The show is about LAPD's Threat Assessment Unit - who handles all the - yup you guessed it 'Stalking" cases.  I love me some Dylan McDermott.  And Maggie Q.  But, do we really need another reason to high light violence against women (well, mostly women - I understand).  Its The Following's Kevin Williamson (Not the Dawsons Creek one, as he seems to have 2 distinct sides to him) as creator.  Skip it.

How to Get Away With Murder:  Shonda Rhimes has a whole night now - and I'm going to watch all three hours.  A legal thriller, starring the always amazing Viola Davis as a high-powered attorney and law professor.  Yup.  She's got the Medical Drama, The White House one - of course a legal one was next.  I'm sure it will be all 'dark and twisty' and I'm sure I will love it.  DVRing and watch Live if I can.





Gracepoint:  A remake of Broadchurch, a British crime drama about the death of a young boy in a small town and the detectives trying to figure it out.  Its one mystery for the whole 10 episode season.  They say the ending is different, though.  Maybe a different killer?  It is intriguing and stars Anna Gunn and David Tennant (in the same role from Broadchurch).  If you like British shows, this may be for you.  I have a small interest it.   I plan to DVR the whole series and see if I ever get to binge watching it.  DVR

Constantine:  Matt Ryan stars as this comic-book TV anti-hero?  Apparently, he has no super powers or secret identity and is not really a good person, and has been sentenced to hell?  I'm not sure I get it.  But, the star is very easy on the eyes.  If you know who comic book Constantine is, I'm sure this show is for you.  For those who know whats going on, its been well reviewed.  I don't know whats going on.  Skip it.

NCIS: New Orleans:  I've never watched any of the NCISes.  But, I could maybe watch Scott Bakula as a Navy vet.  I love that he's been doing the press circuit saying he's never done a procedural.  Mostly because, Quantum Leap was SO one of the founding fathers of procedurals.  Same formula, different local and intriguing cast.  DVR the pilot.


Seems my DVR is going to be filled up quick.  Only time will tell what I actually make time to watch.  20 years ago today Friends premiered. 15 years ago today The West Wing premiered.  10 years ago today Veronica Mars and Lost premiered.  It seems to be a charmed day for premieres. I feel old.  Happy Premiere Week!